/ How a piece is made

Paper first. Wax next. Metal last.

No step in this sequence is decorative. Each one resolves a question the previous step raised — and nothing moves forward until the answer holds.

Flat-lay overhead shot of hand-drawn jewellery sketches on off-white drafting paper, multiple pencil iterations visible, cool studio daylight from above, fine graphite lines showing profile views and cross-sections, no hands visible
Flat-lay overhead shot of hand-drawn jewellery sketches on off-white drafting paper, multiple pencil iterations visible, cool studio daylight from above, fine graphite lines showing profile views and cross-sections, no hands visible
Three-quarter view of a carved green jewellery wax model on a neutral matte grey surface, cool overhead studio strobe lighting, crisp shadow on one side revealing the three-dimensional form, no hands or tools in frame
Three-quarter view of a carved green jewellery wax model on a neutral matte grey surface, cool overhead studio strobe lighting, crisp shadow on one side revealing the three-dimensional form, no hands or tools in frame
Straight-on close-up of a finished cast metal ring on a flat matte surface, cool even studio daylight, shadowless white context, precise metal grain and edge detail visible, no hands or props
Straight-on close-up of a finished cast metal ring on a flat matte surface, cool even studio daylight, shadowless white context, precise metal grain and edge detail visible, no hands or props
Stage 01

Drawing: iteration before commitment

A commission begins with paper. Multiple rounds of hand-drawn sketches establish proportion, profile, and setting logic before any material is touched. Revisions here cost nothing; revisions in gold cost everything.

Stage 02

Wax: form resolved before casting

The wax model is where dimension, weight, and fit are decided. It is reviewed and approved by the client as a physical object — not a rendering. Changes happen here, in wax, not after the pour.

Stage 03

Cast: the drawing made permanent

Once the wax is approved, casting locks every decision that preceded it. Finishing and stone-setting follow the technical drawing precisely — the final piece is the drawing, rendered in metal.

A commission is a design conversation, not an order form.

Clients who work with GIAAN participate in each stage — reviewing drawings, approving wax, understanding why each decision was made. That engagement is not optional; it is how the work gets made correctly.

Ready to start on paper?

Bring a reference, a rough idea, or nothing at all. The first conversation is about understanding what the piece needs to do — everything else follows from there.